China: Folk Instrumental Traditions

From the liner notes:

Both in imperial times and under the People's Republic of China, the popular culture of China has persistently been neglected in favour of official, elite culture. The confucian values of the imperial age have been replaced in modern times by the domination of a new elite, stressing urban, professional, secular, and Party-sponsored music-making: meanwhile the music still performed by folk musicians throughout the Chinese countryside is often ignored. The search for an unchanged ancient music may still be tempting in a country with such a venerable history: but if there are no living fossils, we also need to rid ourselves of the idea that tradition has been thoroughly destroyed in modern times.

Instrumental music is only one aspect of Chinese music: folk-song, opera, and ballad-telling are also rich living treasures. This series concentrates on ensemble music, whose contexts are often ceremonial or religious. (Recordings of the solo instrumental traditions are already quite accessible, such as the plucked zithers qin and zheng, and the plucked lute pipa.)

Although the living folk music of China remained largely unknown outside China until fieldwork began to be possible for foreigners in the mid-1980s, the Chinese themselves showed great energy in collection from the 1940s. While commercial recordings of opera and urban professional instrumental arrangements have long been common, very few recordings of folk instrumental music have ever been issued.

The Music Research Institute (MRI) of the Chinese Academy of Arts in Beijing preserves China's most comprehensive archive of recordings of traditional Chinese music, recorded in the field since 1949. The former Director of the MRI, Yang Yinliu (1899-1984), was not only the leading scholar of ancient Chinese music history, but a fine performer and an ethnomusicologist much concerned to document living traditons. He himself made many field-recordings of great folk musicians, often with his cousin and lifelong companion Cao Anhe. Some of these recordings are included for their musical and historical value, despite their less than ideal recording quality.

This series is a tribute to Yang Yinliu and the unsung Chinese collectors who strove to document the heritage in conditions which have often been most adverse, economically, logistically, and politically. It is the story of nearly fifty years of Chinese fieldwork, covering many of the major genres of Han Chinese instrumental music. Although most genres resumed in the 1980s and can still be heard in China now, this set includes some outstanding recordings from before the Cultural Revolution, when traditions were still thriving and some venerable folk musicians were in their prime.

Tracklisting:

CD I North China
1. Hua Family Shawm Band - Shuilong yin (Shanxi) {7:58}
2. Xu Zeng and former monks from Beijing temples - Xiao Huayan (Temple de Zhihua) {2:49}
3. Hu Yusheng Ensemble - Yu furong (Hebei) [extract] {8:20}
4. Liu Yuanqing Shawm Band - Batiao long (Liaoning) [extract] {5:56}
5. Xu Yousheng Ensemble - Pu'an zhou suite (Shanxi) [extract] {7:19}
6. An Laixu Ensemble - Suite, ouverture (Xi'an) {7:33}
7. An Laixu Ensemble - Suite, section finale (Xi'an) {11:47}
8. Feng Mingxian Ensemble - Xiao Kaimen (Shandong) {3:42}
9. Li Guangfu Ensemble - Tai huajiao (Shandong) {9:07}

CD II South China
1. Zhu Qinfu Ensemble - Yifeng shu (Shifan gu, Jiangsu) {8:14}
2. Zhu Qinfu Ensemble - Xia xifeng (Shifan luogu, Jiangsu) {15:41}
3. Huang Qingquan Ensemble - Choudian zhuyan (Longchui, Quanzhou) {10:48}
4. Huang Qingquan Ensemble - Desheng ling (Longchui, Quanzhou) {8:27}
5. Shantou Folk Music and Performing Arts Troupe - Liuyao jin (Chaozhou){5:10}
6. Shantou Folk Music and Performing Arts Troupe - Liuqing niang (Chaozhou){4:00}
7. Shantou Folk Music and Performing Arts Troupe - Fan Lihua pozhen(Chaozhou) {6:02}
8. Yi Zizhong, Song Hong and Song Yuwen - Shuangsheng hen (Cantonese music){2:57}

哪位大侠能下的下好了帮忙传一下，最好Fs2you，在此谢过 ：）
　　
1：http://sharebee.com/eb2a2604
2：http://sharebee.com/1bc4a5d9
3：http://sharebee.com/9f4dbc52
4：http://sharebee.com/4b0276cf

「艶母」

出版社：司書房
シリーズ：TSUKASA comics
ISBN：ISBN4-8128-0214-8 C9979
価格：900円（本体857円）
初版発行：1999/01/15
判型：A5
収録：

「艶母」第一部

第1話「頽れる良妻」
第2話「身悶える継母」
第3話「堕ちる性母」
第4話「染まる義母」
第5話「わななく熟母」
第6話「ねだる牝母」

「蝉時雨」
「姉弟～おとうと。～」（「姉弟」の部分は、本当はへんが「女」、つくりの上の部分が「市」、下の部分が「弟」といいう字）
「嬲る娘たち」
「濡れ色の囁き」
「冬ぬくし」

「続·艶母～ふたり～」

出版社：司書房
シリーズ：TSUKASA comics
ISBN：ISBN4-8128-0339-X C9979
価格：900円（本体857円）
初版発行：1999/12/25
判型：A5
収録：

「艶母」第二部

第7話「溺れる淫母」
第8話「貪る叔母」
第9話「発情する濡母」
第10話「すがる犯母」
幕間「隷母の朝」
第11話「よがる痴母」
第12話「噎ぶ禁母」
第13話「焦がれる姦母」
第14話「艶母」 終章

「夏色」
「艶衣」

Download Link （Vol.01+Vol.02中文版）

工口漫画家みやびつづる的代表作，LL情节，慎赏。

昨天整理电话号码，看到几个同学的号码，正想约出来喫茶啊～当我高中的时候身边有这么几个男同学，成绩不是好但是也永远不会到最坏，很和善，运动弱，表情呆，但是脑子却很聪明。和他们聊漫画或动画（没聊游戏，因为我高中的时候基本不玩）的时候眼睛里有莫名的光会出现。那时候的你们也许稚嫩，但是已有一颗纯真的大叔心。你们会在生日的时候请大家去玩游戏，在大家说谁谁谁正点的时候跳出来说绫波レイ才是女神。

家门口的女仆咖啡店再次开业了，朋友，我们一起去玩扑倒吧！

现在，有这样一些人，好象得了天下，就高枕无忧，可以横行霸道了。这样的人，群众反对他，打石头，打锄头，我看是该当，我最欢迎。而且有些时候，只有打才能解决问题。***是要得到教训的。学生上街，工人上街，凡是有那样的事情，同志们要看作好事。
　　
——***主席在中国***第八届中央委员会第二次全体会议上的讲话 （这老毛的话也给和谐了，bus很厉害嘛)

起因，经过：http://xinwenshe.blogspot.com/

狗屁般的结果：http://www.chinanews.com.cn/shipin/2008-07-01/news4157.html

连香港的记者都是贵州口音，你们牛逼了！你们做傻逼俯卧撑去吧！http://www.fuwocheng.com/

Download Link (@Fs2You)

啥都不说了。

欧洲杯看到现在，戏剧性一点不比上届差，飞翔的荷兰人，低迷的世界冠亚军。

而切赫——到目前为止头号悲剧主角。

Artist: Bugge Wesseltoft
Title: It’s Snowing on My Piano
Genre: Jazz
Released: 23 Feb 1998
Label：Act

Artist: Keith Jarrett & Jan Garbarek
Title: Luminessence Music For String Orchestra and Saxophone
Genre: Jazz
Released: 1974
Label：ECM 1049

Download Link (18+)

日本艺能界最有SM气质的女星，已熟透，江山待有新人出。